Spectrum Reverse Spectrum & Color Correction: Two Films by Margaret Honda

Tuesday, August 9, 2016
2:00 pm - 4:00 pm, UCLA Hammer Museum - Billy Wilder Theater

Hammer Screenings

See below for additional information.

Admission

Free and open to the public.

Location: Billy Wilder Theater.

Ticketing: Tickets are required and available at the Box Office one hour before the program. General admission tickets are available one per person on a first come, first served basis following member ticketing. Early arrival is recommended.

Member Benefit: Members receive priority ticketing (until 15 minutes before the program) by skipping the general admission line and can choose their seats, subject to availability.

Parking: Under the museum, $3 flat rate on weekends. Cash only. (Please note: Parking fees will go up to $6 on June 1, 2016.)

Contact

Hammer Museum
(310) 443-7000
info@hammer.ucla.edu

Website

https://hammer.ucla.edu/programs-events/2016/06/spectru...

Additional Information

Copresented with Los Angeles Filmforum.

Spectrum Reverse Spectrum is a cameraless film, made by exposing 70mm print stock to colored light in a film printer. The result is a uniform field of color on screen that moves gradually through the light spectrum, from violet to red and back to violet.

Color Correction was made using only the color correction timing tapes for an unknown Hollywood feature without the corresponding negative. The result is a film without images or sound that consists of a succession of different colors of unpredictable duration. The duration of each color corresponds to the length of a shot, but the story that determined those shots has disappeared. (2014, 70mm, aspect ratio 2.2:1, color, silent, 21 min.; 2015, 35mm, aspect ratio 1.85:1, color, silent, 101 min. dir. Margaret Honda.)

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